Tuesday, 15 October 2013

In awe of Norman Lindsay and some anxiety

93!
Sorry for my hiatus from here, one tends to forget all places where some attempts have been made to set up a website. And just as I was directing my thoughts to this, lo I am receiving some reminder about my blogger - not sure still what feedspot is though.

Of late all the previous posts about my hopes to create various series of works are still applicable but of course as flawed as I am as a human being, new ideas and influences flow in all the time and old things come back around.

Of late I am so drawn to the paintings and drawings of Norman Lindsay and there is a real 'Antipodean Thelema' that I get from his works. I am reminded of some chapters from The Book of Lies. Unfortunately the Australian art scene was and perhaps still is in some ways quite conservative. Lindsays work was just too provocative for his time and even still, I find the way in which I drew his figures to be so sensual, but its the expressions on their faces that really make them catch my eye.

Lindsay was also unbelievably prolific, and unlike Dore these were not so far as I am aware being finished by artisans in his employ. All his own, I cannot fathom how so much beautiful imagery was able to be created. Two examples of his work.











Lindsays work will from this time on and forever feed me in terms of influence and inspiration as Dore, as Bogoureau, Alam Tadema, Gerome, Messonier, Donato, von Stuck, Ruan Jia, James Gurney, all the Symbolists, the Orientalists and Pre Raphaelities really  - and of course I will never be great like these artists,  but I cannot stop trying to bring forth, bring together, etc something anything. I certainly not putting myself in their pantheons rather just expressing my joy over how much they energise me when I look at their work.

Amidst some work for upcoming exhibition contributions, I have always the need to make my own works for good or ill and some which are still in progress. Some new ones that are up on my deviantart page, but dozens and dozens which are in progress. It would be great if i could just stick strictly to one thing at a time, but like books it is always easy to start something, but to bring it through to fruition is the fourth virtue of the magician - silence, which is as I see it perseverance. Of course posting here about it ones pursuit might at least to all appearance contravene this though. In broad strokes yes, but I am also interested that others have seen this blog and feel not a little embarassed that I do not attend to it more often. And perhaps (and maybe hopefully!) no one reads this, as the more I write the more I see all that stands in the way of continuing private magickal practices. I feel both drawn to and repulsed by exposing myself on the internet and at times i have even felt it very palpably that the anxiety exposes me psychically too. Why do we not only want to put down thoughts in diarys designed for everyone to see. Perhaps diarys have always been written with the thought in the back of the mind that "were someone to read this...".

Our meta-narrative of progress is an easy way to write history at best, really I see more that human mundane world is one of continual exteriorisation - a continual casting out. Computers and the internet are examples of this. People consider whether children need to learn history, geography and science even, and rather just learn how to better locate the information online. but then even that too will be cast out. Why do we do this, what does the brain want to be left with? or is this just us becoming more of a an enormous singular organ or the opposite.  Is it good, is it bad.. is it beyond all such, is it as good as repression is bad ? Where are we on the Tree of Life? what is going down and what is coming up. And amidst all this is the Tree of Night, the black flame, the consciousness that creates, that questions, that is a down-going and over-going.

Just something I started back in April this year - John Martin another inspiration but also a feeling o humanity being constantly on the precipice of cataclysm - this is a narrative we play up too, and how things like the fall of the Roman Empire are imagined - romanticising sublime horror, its something happening in dreams, relations between some inner musical spheres always...chaos..



Tuesday, 11 June 2013

Hmm I never post here too often, much goes up with my facebook page and also at deviantart. mitchellnolte.deviantart.com
I have also an interest in the napoleonic era and also wanted to just try sketching a soldier of the period. I had done a sketch a few years ago which i found ago recently. I am not sure what i was basing the initial sketch on, and so i apologise if the pose of the figure looks familiar with some other picture. I searched around but couldnt find it. In any case i have put together the colours and background myself. Looking also at some resources on Hussar uniforms. I added also a images of the stages of the work.


Saturday, 23 March 2013

Fantasies of Hubris and Bestial Schadenfreude


 A mix of pen and digital drawing - beasts and beast men- always a pleasure to draw - they do well to represent some horrific and fantastic flood of chaos stampeding over human some damnable civilisation. fantasies of hubris and schadenfreude

A month of much work and just the condensed chaos of usual. But good commissions and some new things learnt albeit small and well as far as art techniques go I am always playing catchup, trying to piece together something worthwhile. Guides only help so far - books like Digital Painting Techniques series are great for pointers here and there but then there are articles where the artist just skips over whole stages or just gives a picture and no explanation. I am still also wondering what is generally good res to work at? 300DPI? 450 DPI 600? This is something that no book seems to detail.

Perhaps I could ask on a forum somewhere but such things feel one with anxiety and despair, seeing so many great artists doing their stuff - I wish there was some industrry here for digital in Melbourne, Australia but it all seems to be overseas. I want to just do art all day every day, so much as I say always to learn, to further finish, to conceptualise etc etc etc.

 Death and The Devil
2013 
Created through Photoshop CS6


Sunday, 20 January 2013

So many ideas, perhaps never enough time to really ever finish them!

For my own work with digital art, I either have no set technique or perhaps no good or advisable technique. Perhaps its my left handedness but there is always mess and chaos in my work. I find it exceptionally hard to start a picture with a clean line drawing devoid of shadow or highlight at all. This is probably a fault in my own attempts to self-teach digital art. I love rougher brushes like woodcut brushes and overlay layers for washes but that is probably about as complex as i get. I have tried to learn about masks but I just do not understand how to use them, perhaps its that i have not seen enough about what they can do.
 Summer Decapitation Ritual (name inspired by Ruins of Beverast's track)

 The Daimonic Triumphant

Demon Drummer design - still in working 
 
So for now, i have as always a lot of concept images that are various stages of messy completion and there are a lot i am doing for other publishers but i cant really show those here

Thursday, 6 December 2012

Scratchboard fun and The Nightmare Paintings


Holocaust in Utopia
Created as a Scratchboard etching

I love this medium, Scratchboard/Clayboard/Scraperboard. It can be effective in works of strong light and shadow contrast obviously and with some skill one could doe work to the level of Dore and his engravers. This was my first attempt at it, but i will be coming back to this more and more. Currently I am working on a image based on Emily Bronte's tragic and tormented story Wuthering Heights. This is the right medium for such a work, though one must prepare thoroughly as mistakes are difficult, if not impossible, to reverse in scratchboard.

On another more marvellous note, I have been invited to have works showing in an exhibition of Aleister Crowley's Nightmare Paintings. Myself, and several other artists, including Barry Hale, Nathan Hopkins and Corinne MacIain have created works based on some of the designs from the Nightmare and Heaven rooms from the Abbey of Thelema in Cefalu. The Abbey no longer exists as anything more than ruins, but Crowley had produced a beautiful and quite visionary tourist guide giving descriptions and deeper insights into the wall paintings there.
The exhibition is at Buratti Fine Art in North Fremantle, Western Australia and is running until late February 2013 if i recall correctly.

Love is the law, love under will.